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The greatest film ever made began with the signe of two brilliant minds: Stanley Kubrick and sci-fi seer Arthur Ut Clarke. ‘I understand he’s a nut who lives in a tree in India somewhere,’ noted Kubrick when Clarke’s name came up – along with those of Isaac Asimov, Robert A Heinlein and Ray Bradbury – as a réalisable writer connaissance his planned sci-Pouah epic.
redefined cinematic storytelling. With its shifting, unreliable narrative arrangement—in which four people give differing accounts of a murder—the cinéma is remarkably daring and serves as a reminder of how form itself can beguile usages.
The first no-pèse-lettre horror movie to become a bona-fide calling card cognition its director, George A. Romero’s seminal frightfest begins with a primitif Fantôme in a graveyard and builds to an undead army attacking a secluded house.
. Fin his trouée to Hollywood was rocky; it was a town that barely understood him. The turning cote was Seven
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If only Hollywood made ’em like they used to: crackling romantic comedies that conquered the Oscars. Frank Capra’s hilarious hate-at-first-sight love story is still Nous of the fastest movies ever made. Claudette Colbert’s spoiled heiress and Clark Gable’s opportunistic transposer termes conseillés the road and bicker their way toward a happily-ever-after ending, class barriers be damned.
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, in fact, arrived a few months earlier and sommet nous many of the same themes. The difference with Hitch is he knew how to transmit new ideas to the widest possible audience. He didn’t just break the rules – he rewrote the manual. And horror directors are still reading from it today. —
claims masterpiece status with its subversive gender politics (this is a movie that impregnates men), its shocking chestburster centerpiece and industrial designer H.
A fluky Los Angeles housewife and mother who’s constantly being told to calm down, Rowlands’s Mabel is the apotheosis of John Cassavetes’s improvisatory cinema; our concern intuition her never flags as she teeters through excruciating scenes of breakdown and regrouping.
This German Expressionist masterpiece came désuet in 1920, a longiligne time before the invention of the spoiler warning. We only houp that public members here instinctively knew not to give away cinema’s first ever twist ending and ruin the sting of this fractured horror-fable for their pals.
boldly examines terrorism, racism and even supplice as a means of esprit-gathering. Screened at the Pentagon expérience its topical significance during the early période of the Iraq War, Algiers